I was delighted to learn that this work has been shortlisted for the Sir John Hurt Art Prize and will be in the ‘Exhibition of Shortlisted Works’ at this year’s Holt Festival (22–30 July at the Auden Theatre in Holt). It is a view of Wells harbour one early spring morning, with silhouetted uprights and horizontal shadows forming the bones of the composition. Pontoon mooring posts and the masts from Dutch clipper ‘Albatros’ have their lengths exaggerated through reflection in the harbour water, whilst the elongated shadows of harbour railings fan out in ladder form inviting you to step forward towards the ‘Albatros’ and ‘The Granary’ building beyond.
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This Oxford painting was also sold for me (some years ago) by the @wrengallery in Burford ... 'Tom Tower of Christ Church College, from Pembroke Square'And another of my Oxford paintings (from 2014-15) that sold at @claremontart (and again there are prints on my Etsy shop).Here is another of my Oxford paintings from 2012-13 - as I wrote at the time, "I had been searching for a way to paint Magdalen College ever since I arrived in Oxford, but the busy and wide road in front of the main facade didn't make me feel very optimistic I would find a composition that worked for me. I found my view point unexpectedly as I was walking up the main road towards Magdalen Tower one late afternoon in winter. The tall gatepost terminating a run of low walling suddenly presented itself as a counterpoint to the upright of the Tower and a third dark upright in the form of a tree."Looking again at my early Oxford paintings is instilling a sense of nostalgia for early visits. This work, from 2012, was my first impression of Oxford - the first point of entering into the city. I was interested in the concept of bridges transposing one’s perceived experience from the ordinary to the otherworldliness of Oxford. The repetition of urn-like parapet supports leads the viewer to a Narnia-like streetlamp under a veil of bared branches drawn through the sky, with Magdalen Tower only faintly seen in the background, hinting at what is to come.Continuing my theme of the Radcliffe 'in the round', here it is tucked away behind the Bodleian. My diary at the time (2013) records my focus on the formal components ...