Southwell Minster Landscapes 1

I’ve completed the first of my wide landscape views of Southwell Minster. In fact I did this one as a triptych, using three small canvases to get the greater width. Its a view I especially like – with the Minster seen through the Remembrance Gate at the recreation ground. The gates of the arch are approached by an avenue of trees that normally more or less obscure the Minster but in winter, with all the foliage stripped away, the structure of the tower and the gates is revealed, whilst the substantial tree trunks themselves lead into the composition.

Susan Isaac - Southwell Minster from the Park in Winter

Susan Isaac - Southwell Minster from the Park in Winter (oil on canvas, each 30 x 24cm)

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Southwell Minster Landscapes Planned

Today I worked out in detail a series of Minster landscapes using small wide canvases. My intention has been to open up a new set of possibilities in terms of composition and my ideas have crystalised following research over the winter and spring months just gone, when I repeatedly walked over the areas I was interested in making sketches and taking photographs. The greater width I am planning enables long runs of the Minster roofline, not possible with the square format, and a broader sense of the landscape in which it sits. The small size lends a certain freeness to my painting – as if I am working on quick preliminary works – I don’t feel so precious with the canvas.  It all feels more experimental than usual, and my hope is that the results will be a fresh and varied series of landscape views.

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Staithes Gallery

Susan Isaac - Staithes Beck

Susan Isaac - Staithes Beck (oil on canvas, 50cm square)

Michael and I spent the last two days visiting Staithes and Robin Hood’s Bay. The first purpose of the visit was to deliver some of my works to the Staithes Gallery. I hadn’t seen the gallery before – its rather lovely, situated on the sharp right bend in the High Street right at the foot of the hill as you go down into Staithes. We stayed in the Gallery’s own ‘Laura Knight Studio‘ just behind it. We saw Al (the gallery owner) early on Friday afternoon and delivered the five paintings and three ceramic sculptures.

Susan Isaac - Headland 1

Susan Isaac - Headland 1 (30cm high)

The rest of that day and Saturday morning was spent dawdling in Staithes, taking photographs and making sketches. We lingered over food and beer in ‘The George‘ on Friday evening and again in ‘The Cod & Lobster‘ over an early Saturday lunchtime. We then drove away to spend a lovely afternoon at Robin Hoods Bay investigating hidden streets, taking more photos and doing more sketches. Driving home in the evening we stopped at Helmsley for about an hour and a half (around 7pm) where we ate seafood pancakes at Gepetto’s restaurant, finally getting home at 11pm – mildly exhausted.

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Painting in London

In August I undertook an unusual commission – to create a painting over the course of a summer evening event at ‘The Deck’ atop the National Theatre in London. The idea was to create a large ‘en plein air’ work showing a Thames panorama with partying figures in the foreground. I had visited the venue a couple of weeks ahead to work out the logistics, to make some preliminary sketches in thinking out the composition then on the evening of 20 August worked over a period of 4 hours creating this triptych.

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