Looking again at my early Oxford paintings is instilling a sense of nostalgia for early visits. This work, from 2012, was my first impression of Oxford - the first point of entering into the city. I was interested in the concept of bridges transposing one’s perceived experience from the ordinary to the otherworldliness of Oxford. The repetition of urn-like parapet supports leads the viewer to a Narnia-like streetlamp under a veil of bared branches drawn through the sky, with Magdalen Tower only faintly seen in the background, hinting at what is to come.